Methodology for analysing cognitive-syntactic phenomena in poetic texts

Abstract

The relevance of this research stems from contemporary linguistics’ growing interest in how linguistic forms and structures, particularly syntax, shape meaning in poetic texts beyond their purely grammatical function. The study’s objective was to develop a methodology for analysing cognitive-syntactic phenomena in poetic texts, enabling the identification of how syntax interacts with perception, memory, and emotional resonance. The research employed methods from cognitive linguistics, componential analysis, cognitive semantics, and construction grammar, which allowed for viewing syntactic structures as encodings of subjective positions, cultural frameworks, and emotional intensities. The analysis was conducted using Carol Ann Duffy’s poetry collection “The World’s Wife” as an example. The obtained results convincingly demonstrate that poetic syntax extends far beyond simple stylistic embellishment. It functions as a powerful cognitive tool that actively shapes and reflects the thinking, emotions, and identity of the lyrical hero. The syntactic choices made by the author are not random but are deeply rooted in cognitive processes and serve to convey complex psychological states, internal conflicts, and socio-cultural models. Specifically, it was found that syntactic devices such as enjambment (carrying a part of a sentence over to the next line), parataxis (co-ordinating sentences without clear subordination), fragmented sentences, and the use of idioms are significant indicators of the lyrical hero’s inner world. Enjambment can create a sense of tension or a flowing stream of thought; parataxis can convey disjointed perception or emotional intensity; and fragmented sentences can reflect interrupted thinking, doubts, or internal struggle. The use of idioms, in turn, can indicate belonging to a specific socio-cultural group or reflect established ways of thinking and perceiving the world. The practical value of the research lies in the development of a flexible yet rigorous methodology that can be applied to the analysis of poetic texts while considering their integrity, and which allows for a better understanding of the relationship between language, thought, and emotion.